KYLE ANDERSON | cinematographer

KYLE ANDERSON | cinematographerKYLE ANDERSON | cinematographerKYLE ANDERSON | cinematographer
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  • Featured Work
    • OISI Commercial Campaign
    • The Whitaker Company
    • The Preface Project Film
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    • Home
    • Featured Work
      • OISI Commercial Campaign
      • The Whitaker Company
      • The Preface Project Film
    • Reel
    • Stills
    • Contact

KYLE ANDERSON | cinematographer

KYLE ANDERSON | cinematographerKYLE ANDERSON | cinematographerKYLE ANDERSON | cinematographer
  • Home
  • Featured Work
    • OISI Commercial Campaign
    • The Whitaker Company
    • The Preface Project Film
  • Reel
  • Stills
  • Contact

Featured Work | The OISI COmmercial Campaign

Dr. David 

Technical Specs

Digital Capture

Arri Alexa LF;

Panasonic Varicam LT

 Zeiss Supreme Primes

Frame by Frame

For the Recovery Room scenes, I pursued a look that sampled a documentary philosophy paired with  traditional approaches to film lighting. It was important to give the audience a genuine feel of what a Recovery Room looked like while using just enough augmentation through the lighting to achieve a commercial quality. This example discusses how I blended the two ideas together. 

In this example, I was limited with my ability to light and introduce camera movement due to the size and technical limitations of the Operating Room. Instead, I focused solely on the mise en scène and approached photographing this room purely as a documentarian. 

Showing the technology involved with spine surgery was really a treat to me. I took a lot of pleasure in finding a mood and a set of angles that would take a common piece of equipment and give the world a different perspective on what they thought it was like. 

More Work by Kyle

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